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"But there you are wrong. There need be no dissensions; my mother and I are very good friends, and she expects us both to go to the Towers on Friday next." "If it was a political quip," says Violet, "I shouldn't care about it." For a moment her Grace hesitates, then is lost. It is to her a new sensation to be taken about by a young woman to see things. Up to this, it has been she who has taken the young women about to see things. But Mona is so openly and genuinely anxious to bestow a favor upon her to do her, in fact, a good turn, that she is subdued, sweetened, nay, almost flattered, by this artless desire to please her for "love's sake" alone..

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When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered. Presently he went on down to the log-jam, and as he got near the place he saw the old man at work there, bending over, skinning a buffalo; for Kŭt-o-yĭs´, when he had seen the son-in-law coming, had lain down on the ground and hidden himself behind the carcass. The reproach is terrible, and cuts him to the heart. He picks up the poor little bruised flower, and holds it tenderly in his hand. "I am not going to suffer," says Mona, lightly. "Sorrow only falls on every second generation; and you know poor mother was very unhappy at one time: therefore I am free. You will call that superstition, but," with a grave shake of her head, "it is quite true.".